partner in Germany
Corporate Video Production in Germany
Corporate films that explain complex products clearly
Creative Cinema is a full-service corporate video production company based in Erlangen, in Germany’s Nuremberg metropolitan region. We produce corporate films, product videos, recruiting and event content for international brands and their German subsidiaries: concept, direction, camera, post-production and sound all under one roof.
Technically demanding subjects are our home turf: industrial automation, medical technology, engineering and manufacturing. We are used to briefings where the product is complex, the compliance requirements are real, and the film still has to be understood by a non-expert audience.
As a video production company in Germany we also run our own virtual production studio: a 35 m² LED wall with camera tracking that puts photorealistic environments behind your presenter or product, without location travel.
Interested in how we get to the idea in the first place? See our approach to creative film production.
Everything in English, end to end. Briefings, scripts, on-set direction and review rounds all run in fluent English, so you stay in control from anywhere. You do not need a translator in the loop, and nothing gets lost between a German production team and an international marketing department.
CEO
Project Manager
Art Director
VFX Artist
Cutter
CEO
Project Manager
Art Director
VX Artist
Cutter
XR Studio
- One set, many locations
- Lower CO₂ footprint
- No dependence on weather
- Changes in realtime
- No physical limits
Virtual production enables you to work more efficiently, more creatively and more sustainably, while delivering impressive results. It’s not just a technological advance, but a transformative method for modern film production.
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Your vision in focus
Whether it’s a live production or corporate video, meant for the big screen or your cell phone: we make your ideas shine and hone your message. Our studio covers the whole production workflow from inception to postproduction.
What we produce for international clients
Most of our corporate work falls into four formats. Which one fits is usually decided by the audience, not by the budget.
Brand and company films
The film you show at a trade fair, on the homepage and in the first sales meeting. Usually three to five minutes, shot at your sites in Germany or in our studio.
Product and technology films
Close work with your engineers, often on machines that cannot leave the factory floor. The Nuremberg metropolitan region works in your favour here: medical technology, industrial automation and their suppliers all sit within an hour of us.
Recruiting and employer branding
Shot in the language your candidates actually speak. Subtitle versions are delivered as separate files instead of burnt into the picture, so you can add a market later without going back into the edit.
Commercials and social cutdowns
One shoot, one grade, several formats. We cut the vertical versions from the same material rather than re-shooting them, which is the single largest saving on most projects.
How a shoot in Germany works when your team sits abroad
You do not need to put anyone on a plane. A large share of our international projects runs without the client ever standing on set, and the process is built for exactly that.
Step 1Briefing and concept
One video call, then a written treatment in English with the shot list, the locations and the delivery formats. Nothing gets booked before you have approved it in writing.
Step 2On set
Our crew works in English. At the end of each shooting day you get a short message with stills from what we captured, so you can react while the camera is still standing rather than two weeks later in the edit.
Step 3Post production
Cuts are shared through a review link where you comment directly on the timecode. Two rounds of changes are part of every project. If a third is needed, we quote it before it starts, never afterwards.
Step 4Delivery
Master file, web versions, vertical cutdowns and the raw material, handed over as files that belong to you. Nothing expires and there is no licence to renew later.
Why our own LED studio changes what a shoot costs
We run our virtual production studio in Erlangen: a 35 m² LED wall with camera tracking. For a corporate production that matters in three practical ways.
Reason 1Locations you would otherwise travel to
A production line, a city skyline, a clinical environment: shot in camera on the wall, in a single day, without permits, travel days or a location fee.
Reason 2Weather stops being a risk
An outdoor scene is the classic reason a corporate schedule slips by a week. On the wall, the shooting day happens on the day it was planned.
Reason 3What you see is what you get
The background is real light falling on your product and your people, not a green edge to be repaired afterwards. That removes the compositing stage, and with it the round of surprises that tends to come with it.
The wall is not the answer to everything. When a film is about your people and the place they actually work in, we shoot on location, and we will say so before you have to ask.
Questions we get before a first project
Do we need to speak German?
No. Briefings, the set and post production all run in English, and every written deliverable comes in English by default. German is what we use with your suppliers and locations, so you do not have to.
How long does a corporate video take?
From an approved concept to the final master, four to six weeks is the usual range for a single location. Every additional shooting location adds roughly a week, mostly for scheduling rather than for the work itself.
Who owns the footage after delivery?
You do. The master, the web versions and the raw material are handed over when the project ends, with no time limit and no separate licence fee.
Can you shoot outside the Nuremberg region?
Yes. We travel within Germany and Europe. Anything beyond a day's drive is quoted as travel on its own line, it is never folded into the day rate.
Can we join the shoot remotely?
Yes. We set up a live feed from the camera when you want to watch, and we send stills at the end of each day when you would rather not sit through it. Both work, and both are agreed before the shoot, not improvised on the day.